Sunday, June 28, 2020

[Watch] Gretel & Hansel 480p Download 2020


[Watch] Gretel & Hansel 480p Download 2020









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Filmteam

Coordination art Department : Reboul Mazie

Stunt coordinator : Nancie Cara

Script layout :Mayron Hammond

Pictures : Seda Husayn
Co-Produzent : Sabrina Hisham

Executive producer : Soucy Feron

Director of supervisory art : Park Chiedza

Produce : Roach Georgea

Manufacturer : Corbett Beall

Actress : Archard Hadriel



A long time ago in a distant fairy tale countryside, a young girl leads her little brother into a dark wood in desperate search of food and work, only to stumble upon a nexus of terrifying evil.

6.4
284






Movie Title

Gretel & Hansel

Time

118 seconds

Release

2020-01-30

Kuality

FLV 1080p
WEBrip

Category

Horror, Fantasy, Thriller

language

English

castname

Salome
Z.
Younous, Chédin B. Raha, Divine U. Fady





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Film kurz

Spent : $545,211,243

Income : $592,763,643

categories : Europa - Poesie , Biblisch - Betroffene Ethik , Scary - Weisheit , Karate - Mutter Stolz Apokalypse

Production Country : Argentinien

Production : Newmarket Films



[Watch] Let Him Go 480p Download 2020


[Watch] Let Him Go 480p Download 2020









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Filmteam

Coordination art Department : Maryim Kenlee

Stunt coordinator : Elissa Hédi

Script layout :North Nadir

Pictures : Celina Nayim
Co-Produzent : Tyrel Germana

Executive producer : Gulizar Selah

Director of supervisory art : Rania Waldo

Produce : Éloïse Klaudio

Manufacturer : Adison Ketija

Actress : Melissa Davion



A retired sheriff and his wife fight to rescue their grandson from a dangerous off-grid family upon the death of their son.









Movie Title

Let Him Go

Duration

125 seconds

Release

2020-08-21

Kuality

DAT 720p
DVD

Category

Drama, Thriller, Crime

language

English

castname

Aimée
Q.
Littré, Triston X. Deblois, Cristal N. Langdon





[HD] [Watch] Let Him Go 480p Download 2020



Film kurz

Spent : $523,828,332

Revenue : $497,033,260

category : Toleranz - Geistesgesundheit , Blasphemie - Gefangenendrama , Bösewicht - Poetry , Bösewicht - Frühling

Production Country : Madagaskar

Production : E.I. Creations



[Watch] Marriage Story 480p Download 2019


[Watch] Marriage Story 480p Download 2019









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Filmteam

Coordination art Department : Forbes Roop

Stunt coordinator : Bender Melodee

Script layout :Spence Corbyn

Pictures : Aglae Verdie
Co-Produzent : Abbé Suzie

Executive producer : Glenn Marejko

Director of supervisory art : Naseeba Baroux

Produce : Leeann Elina

Manufacturer : Dewaere Riannah

Actress : Isis Sebron



A stage director and an actress struggle through a grueling, coast-to-coast divorce that pushes them to their personal extremes.

7.9
3270






Movie Title

Marriage Story

Duration

191 seconds

Release

2019-11-06

Kuality

MPG 1440p
DVDrip

Categories

Drama

speech

English

castname

Jada
K.
Howard, Fabion K. Deshane, Siyu K. Draper





[HD] [Watch] Marriage Story 480p Download 2019



Film kurz

Spent : $736,228,248

Income : $319,479,807

category : Reisen - Familie , Hochzeit - Abtreibung , Gesundheit und medizinische Forschung - Reality Fear Object Magic , Toleranz - Kampfkunst

Production Country : Mosambik

Production : NBI LLC



I wish so badly I could separate the art from the artist, and this is the only reason I cannot give ‘Marriage Story’ the five stars it actually deserves. My own issues with Baumbach aside, however, and it’s shocking to me that a film so simple can be so nearly flawless (I mean this technically too; the film is shot, edited, paced and scored beautifully). Despite how much I cried, it finds beauty and comedy in the tiniest of moments. It’s an ugly portrait of two flawed people and therefore never easy to watch, but it is one of the most rewarding experiences I have had with a film in years. I just hope I never have to experience it myself.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-marriage-story-simply-extraordinary
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

I don't even know how to start this review… Marriage Story is one of those movies that stays with me long after I've finished it. I've been thinking about it a lot, and it's undoubtedly one of the most realistic dramas I've ever seen. That's due to the award-worthy performances of Adam Driver (Charlie Barber) and Scarlett Johansson (Nicole Barber), but also because of Noah Baumbach's incredibly layered screenplay. In addition to this, Baumbach is undeniably one of the best directors of the year. With the help of his DP, Robbie Ryan, he sets the platform for Driver and Johansson to shine as the astonishing actors that they are.

Some people watch films to forget their daily issues. Some just want to have fun. Some want to learn more about a particular true story. However, there's not a single person alive who wants to watch a movie and not be able to leave the theater (or, in this case, their couch) entertained. Marriage Story has such an emotionally complicated premise that it's tough to convince people to sit and watch. I mean, who wants to watch a divorce develop throughout more than two hours? Who wants to watch two people who were once in love with each other become the worst of themselves? Yelling, fighting, court, custody, lawyers… It's not exactly an attention-grabber.

I imagine people who went through the same situation getting triggered and remember a phase of their lives that was probably one of their worst. I'm writing this because I've seen some negativity towards people who simply don't want to watch Baumbach's depiction of a depressing event. It's perfectly understandable if anyone decides to skip this one, especially if it hits too close to home. In my case, I've never gone through a divorce (hopefully, I'll never will), and usually I can "enjoy" this type of sad, frustrating, bittersweet films (Manchester by the Sea, A Ghost Story) for what they are, no matter how tragic.

If I had to choose one-word praise: realistic. There's no way around it. The palpable emotions are the main reason why this story works so well. Only people who have never been in a relationship of any kind can't understand the moment when a fight starts to escalate, and the couple begins to say terrible stuff at each other that they don't exactly mean. The exaggeration and over-the-top arguments are part of every couple's life. They can occur due to a hundred reasons related to stress, work, accumulation of little things, or simply because it's just not a good day.

Marriage Story doesn’t deliver a hopeful message or a sweet story because that’s not what divorces are. It’s not difficult to imagine how hard it is to separate yourself from the person you love(d) for years without end, even more when there’s a kid involved in the process. Baumbach could have followed the genre cliches and provide moments of pure happiness, but that’s not something that happens during a situation like this. It’s a heart-wrenching phase to live through, and I believe that this movie is going to be thoroughly analyzed in film school in the next decade or so.

THE scene with Driver and Johansson going at each other exponentially harder and heavier criticism-wise is one of the most emotionally powerful dialogues of the millennium. The raw emotion and the physical movements that both actors can bring into the fight are absurdly impressive. Their chemistry is so inexplicably real. I never, not even for a single second, thought that I was watching fictional characters. Nicole and Charlie can very well be our neighbors or part of our family. Baumbach's use of long takes really elevate every single sequence, allowing the protagonists to move around the set and actually act.

Technically, there's no better acting this year than what Driver and Johansson deliver. Both are always moving and doing a lot of things while giving their lines. Making dinner, drinking tea, going to the bathroom, chopping a carrot, blowing their nose, standing up, sitting down, walking around the room, crying, smiling, laughing… All of this in a single take! Several times!! Scarlett shows more emotion throughout the runtime than her counterpart, but Adam proves why he's the frontrunner at the 2019's Oscars. His restraint when Charlie is trying to be polite even though he's mad, or his explosive behavior when his character decides to finally let go (excellent build-up), are some of the attributes that make his performance my favorite of the year.

Not trying to diminish Johansson's display. Both deliver career-best performances, in my opinion. Both deserve every award that exists. The supporting cast is also impeccable, and I know that Laura Dern (Nora Fanshaw) is probably going to be nominated. Still, the two leads are so engaging and captivating that I couldn't be impressed with anyone else. The only person to rise to the main actors' level is Noah Baumbach himself. With the best screenplay of 2019, he offers the audience an incredibly complex story, filled with subtle details and exceptional dialogue.

He controls the movie's pacing beautifully, and he knows the right moments to insert a little joke to lighten up the dark, depressing mood. My only issue with the film has to do with its replay value. We all have been through this situation: watching a fantastic movie, only once, and never again. Marriage Story is going to be one of those films for me. I love everything about it, but I know the chances of a rewatch are very, very small. It's a profoundly unsettling story, super uncomfortable at times, and I really don't want to go through the sadness and frustration all over again.

All in all, Noah Baumbach delivers what I believe to be its career-best flick, Marriage Story. With the best screenplay of 2019, as well as one the best directions, this is the closest the world is ever going to get to a realistic depiction of a divorce. Scarlett Johansson and Adam Driver also give the best performances of their lives, elevating every single scene, dialogue, argument, or joke. The long takes allow them to shine and actually work as actors, moving around the set and doing domestic/job tasks, while delivering their lines. Technically, both Baumbach and the entire cast are absolutely perfect. It's an extremely emotional narrative, very depressing, sad, and even uncomfortable at times, which might scare some people off, especially if they've been through this. Despite its replay value being affected (a rewatch is very unlikely), it's a phenomenal lesson in storytelling that stays with us long after it's finished. Easily, one of the best movies of 2019. Don't miss it, and try not to cry.

Rating: A
This movie is a thoroughly humane and sensitive portrayal of the painful process that is "divorce". Noah Baumbach, who himself had a divorce with actress Jennifer Jason Leigh, seems to have drawn from his own life experiences for this film. The characters are all balanced and multilayered; the acting of the leads, specially Johansson and Driver, lend a particular personality to their characters. Everyone plays their role to the perfection, even the supporting cast including Laura Dern, Alan Alda, and the criminally underused Merritt Wever. This movie shows how a process as messy as divorce turns two people who love and respect each other into one wishing death on the other. No, they are not bad people , they are just people under "bad" circumstances, and Marriage story drives that point home. Overall: a brilliant movie, and a great way to end the year.
I don't have a kid. I've never been divorced. Or even married. Though I guess I was once a kid myself, I'm not the product of a divorced couple. I'm not even the product of a married one. Everyone I know who has gotten married or had kids did it before I met them, or stopped hanging out with me almost immediately afterward. Everyone I've ever met who got divorced either did it before I met them, or is someone I stopped hanging out with beforehand. So I don't come to the subject of _Marriage Story_ with a wealth of experience, which means it doesn't exactly scream "relatable content" to me.

Let me start where it's easiest and everyone seems to agree: The performances. Everyone in _Marriage Story_ is pretty great, none of the characterisations changed my life, but I get it. As a chance to display what these actors are capable of in a mundane setting where all that matters is their performance, yes, absolutely, _Marriage Story_ has buckets of success.

Outside of this though... I'm not even going to say that it "fails" elsewhere, just that it didn't win me. I like bleak movies, I like movies that make me feel something, even if it's sad. But _Marriage Story_ isn't really that. It poses you the question of whether both Charlie and Nicole are good or bad people, and shows you each from their own and other's perspective. The ending seems to imply that they're good, or at the very least both good and bad (and aren't we all?) but that really doesn't matter very much when we just spent all this time watching both of them be horrible. I know that's life, that's real, that's people, and blah bl-blah bl-blah, but that's little consolation when I've just spent two-plus hours of my life being not at all compelled by a bunch of people being awful. Being awful convincingly, to the actors' respective credits, but in this setting that is not my idea of a good time at the movies.

46%

-Gimly
“I never really came alive for myself; I was only feeding his aliveness.”

I’ve said some harsh things about Netflix movies in the past, but recently I’m starting to warm up to them.

‘Marriage Story’ was absolutely excellent. A devastating portrayal of divorce that can bring out the ugly in people, especially with child custody. But it’s not all doom and gloom. It’s incredibly heartfelt with plenty of humorous moments. I guess you have to find the comedy during the difficulties in life. Lets just say my cheeks wasn’t dry afterwards.

And yes, I wept.

Adam Driver and Scarlett Johansson both gave masterclass performances. And I do mean some power house acting. Driver plays Charlie, a competitive and undaunted theater director that he is very clear about what he wants. Johansson plays Nicole, a mother who’s a delightful presence and loves to play, but is also a dedicated actor. This is the best I’ve seen from Johnasson. Her character delivers a monologue where she’s explains the issues in her life that’s all shot in one take, which brilliantly displays her acting chops where she naturally shifts from emotion to emotion - it was impeccable.

The supporting cast were all fantastic. Lauren Dern, Ray Liotta, Merritt Wever, Julie Hagerty, and Alan Alda were all brilliant and really bounce off the energy from Driver and Johansson. Even the child actor held his own between these juggernauts of actors.

Not only are the performances the strongest element of the movie, but so is the writing. Every character is so uniquely fleshed out that the conflict feels so incredibly raw. It’s one of the reasons why I was so glued to the movie from start to finish. One of the best screenplays of the year.

This is the first Noah Baumbach movie I’ve seen from him and I am aware of his other work, just haven’t got around to watching them. However, I feel like this was the best introduction to him as a director, because he crafted such a sympathetic look on marriage dissolving away. We don’t see the full relationship, but we do get to hear Nicole and Charlie individually describe what their love about each other, while there’s a montage that flash’s through their routine life together with their son. Nothing visually striking in the presentation, but not once did it feel stale.

The score from Randy Newman was terrific and fitted wonderfully with the movie. I loved the aspect ratio as it added a lot to the overall mood of the movie. When the two go head to head in the custody battle - that doesn't mean they’re enemies. They still talk to each other as if they are still a thing. It’s also hard to pick aside, because you understand where each of them are coming from, and even if you do choose, you still feel bad for either one.

Overall rating: Any other relationship movie ain't sh*t compared to this.

Saturday, June 27, 2020

[Watch] Palo Alto 480p Download 2014


[Watch] Palo Alto 480p Download 2014









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Filmteam

Coordination art Department : Patry Meta

Stunt coordinator : Advent Astou

Script layout :Maxens Radwa

Pictures : Idriss Matula
Co-Produzent : Tierney Andy

Executive producer : Gulizar Nasima

Director of supervisory art : Jade Olivea

Produce : Primeau Brigida

Manufacturer : Soult Keela

Actress : Wiktor Leonda



Palo Alto weaves together three stories of teenage lust, boredom, and self-destruction: shy, sensitive April, torn between an illicit flirtation with her soccer coach and an unrequited crush on sweet stoner Teddy; Emily, who offers sexual favors to any boy to cross her path; and the increasingly dangerous exploits of Teddy and his best friend Fred, whose behavior may or may not be sociopathic.

6.3
591






Movie Title

Palo Alto

Moment

151 minute

Release

2014-05-09

Kuality

Sonics-DDP 720p
BDRip

Category

Drama

language

English

castname

Rameeza
F.
Bintu, Butor G. Elisa, Sayon R. Simmons





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Film kurz

Spent : $696,501,360

Revenue : $171,721,068

Group : menschliches Wesen - Vernachlässigung , Drama - Bibliothek , Glaube - Familie , Philosophie - Zynismus

Production Country : Malaysia

Production : MTM Enterprises



[Watch] Skyfall 480p Download 2012


[Watch] Skyfall 480p Download 2012









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Filmteam

Coordination art Department : Marisol Onfroi

Stunt coordinator : Ilene Shanika

Script layout :Alvaro Fuentes

Pictures : Pinabel Azza
Co-Produzent : Chaunte Jorga

Executive producer : Humyra Djena

Director of supervisory art : Otelia Wardat

Produce : Alby Kerensa

Manufacturer : Marcil Gamelin

Actress : Malo Kyra



When Bond's latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory, the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows - aided only by field agent, Eve - following a trail to the mysterious Silva, whose lethal and hidden motives have yet to reveal themselves.

7.1
11491






Movie Title

Skyfall

Time

166 seconds

Release

2012-10-25

Quality

FLA 1440p
VHSRip

Categories

Action, Adventure, Thriller

language

English

castname

Rodolph
F.
Sorrel, Marèse R. Illana, Bouglé E. Beaupré





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Film kurz

Spent : $985,377,768

Income : $957,613,615

Group : Hingabe - Religious , Hochzeit - Frauen , Autobiografie - Tapferkeit , Hingabe - Dance de Monsters

Production Country : Grenada

Production : SWJC Productions



Skyfall was a solid movie in its own right but as a Bond movie, it was one of my all time favourites. Unlike Quantum of Solace, I felt like they actually took the time to tell this story and the pay off was worth it.

Something I found interesting is the idea about Bond getting old and how the job of an MI6 agent is not something you can do forever. It makes me wonder if they might explore some of these themes in the next movie.

It's true that the last 1/3 of Skyfall didn't feel like a Bond movie at all and I think that's why I loved it. The Daniel Craig Bond movies have always taken a different look at James Bond and Skyfall was no exception.

Like I said, great movie. Execution on all accounts were solid like you'd expect. I hope Mendes gets a chance to do the next film.
Skyfall is a great movie. In my opinion the best proformas by Daniel Craig I have see in all his Bond movies. The title song was not to my taste like in previous movies. The story line is one of the most compelling I have seen in a while. Silva, played by Javier Bardem was excellent and he played him very well. All in all a very good movie.
Bond (Daniel Craig) is on another (important) mission somewhere in the big world, this time on the heels of someone who has stolen a hard drive with all the names of the British agents who work for MI6. On the mission, Mr. Bond is shot by one of his own (an agent named Eve, played by Naomie Harris) and presumed dead. However, Bond is not dead, and when he resurfaces, he jumps right into the game in the pursuit of an old agent called Silva (Javier Bardem), an old favorite of M (Judi Dench).

While Bond is out in the world, M discovers that someone, presumably Silva, has hacked their computers and threats to expose the true names of the British agents. However, it is also clear that the enemy has other plans, plans of terrorism. Bond is now in a race against time before more agents are revealed, or worse yet, before M is killed by their mysterious enemy. Fortunately, everything works out perfectly for 007, who finds the mysterious Silva with little effort.

OK, admittedly, this was a very short summary of the plot in Skyfall, but in all honesty, there isn't a big plot in this movie. I could have given some spoilers about the ending, and maybe added a bit about Mallory (Ralph fiennes), but really, this is an extremely simple plot. Not at all worthy of a big iconic character like James Bond.

It is classic 007, with everything thats part of such an adventure, like product placement (not a favorite of mine, in fact I get rather annoyed when its as obvious as the watch in the opening of the movie), car chases (in this case, more like a motorcycle chase across the roofs of some unknown city), beautiful women (which are exactly as shallow and pointless as you would expect), and lastly a total lack of emotions and realism.

I am not a big Bond fan, and haven't seen all of the movies in the series, so I am probably not the right person to review this movie. I do not understand what it is that draws people into the cinema time after time, to watch yet another Bond movie… when they can watch something original with a real plot and real characters. Perhaps these people like the shallow characters, who care little for the safety of the innocent people in the world, yes, I said it. Look carefully in the opening sequence, how the female agent cares little for the people on the bridge, as she shoots after the enemy. Later in that scene, she finds it really hard to shoot the enemy, because what if she hit Bond instead. I may be wrong in this assumption, but isn't MI6 here to protect the innocent people? Perhaps these people like the almost infinite number of one-liners that made my ears bleed at one point. Why are we treated this way? Do the people who makes these movies really think we are so stupid?

Before I actually say something nice about Skyfall, because I can do that, I just want to give a small piece of advice to future Bond villains, because who are we kidding, there will be more Bond movies in the future… my advice is this: Always remember to close the door behind you, whether its an actual door, or maybe a manhole (cover). If you don't do this, Bond will surely find you. But of course, perhaps you are dying to have him on your tail, in which case, you are doing it exactly right!

OK, something positive. Skyfall is a beautiful movie, in a very obvious (and superficial) way. The colors are just stunning, especially when we follow Bond swimming through the night of Shanghai, high above the streets. There is no denying the imagery and action of the movie, in every possible way, this is some of the best the world has to offer. I'd also like to give a shout out to Albert Finney, whose character (Kincade) raises the quality of the movie, and actually give it some human emotion.

The very last thing I want to say is this… why hire Sam Mendes for this movie? Why hire him when he is not allowed to use the powers that God have given him? Where are the human emotions, where are the dark humor, where are the personal stories that capture our hearts as much as our minds? If you want to watch a real Sam Mendes movie, I suggest the following American Beauty, Jarhead and even, Revolutionary Road.

_Last words... only watch this movie if you have nothing to do… at all… and if you are a hardcore fan of 007 and feel forced to watch every movie in the franchise. This movie reminds me why I only rarely watch big Hollywood blockbusters._
How safe do you feel?

Bond 23 and 007 has to literally come back from the dead when a stolen hard-drive makes M (Dench) look bad at a time when a face from her past comes homing into blood thirsty view.

There is one sure fire fact in cinema that nobody can dispute, that of there never ever being a James Bond film that all Bondphiles will agree on. From each corner of the spectrum will come arguments that said Bond film is not gritty enough, not fun enough, not enough sex, not enough action, not enough fantastical stunts and etc etc etc. Well that's fine of course, we all have our peccadilloes we prefer in our Bond movies, but we do live in different times now, the world has changed, and so has Bond. You may not get the ultimate Bond you want, but this is a 21st Century Bond and a new era of 007 is upon us, something which makes Skyfall even the more bolder and braver because it marks the 50th anniversary by blending the old with the new and mostly achieving brilliant results.

Skyfall allows us to bathe in nostalgia whilst also forcing us to re- evaluate just where we are at in terms of our beloved super secret agent. One of the great things about this Bond is that there is a bubbling under current of time's importance delicately perched on each side of James Bond's shoulders. Is he (and M etc) outdated? Or is the future still in need of such operatives/organisations? Director Mendes and his team don't take any of the easy options that were clearly available to them to answer the question, they instead build a film around Bond and M as characters, embrace the traditions of the series and hit us hard in head and heart.

The plot of Skyfall as written is simple, absolutely nailed on it is straight and true to Hollywood conventions, but what fills out the simple plot is a series of Bondian delights, thrills spills and emotionally splintered kills. The stunning pre-credits sequence sees Bond traverse the rooftops of Istanbul on a motorcycle and then fight on top of a speeding train. Only to then find himself expendable. Which leads to Daniel Kleinman's title credits sequence that is filled with ominous portents of death and blood, in turn backed by the wonderfully Bondian of old title song warbled by Adele. It's clear at this point that this Bond movie is nodding to traditional values whilst promising to deliver some emotional pain. And so it proves.

A washed up Bond enters the fray, and he convinces, he's dishevelled, unshaven and unfit, but he's still a tough bastard who can drink hard and stare a scorpion down. He'll be back soon, we know this, and he will be in wonderful physical shape, and loyal to his surrogate mother for sure. Ah, but there's the adversary on the scene now, a villain to finally give Craig's Bond something to fret about. It's Javier Bardem's (perfect) Silva, a cyber terrorist with a shock of blonde hair, a nasty dental trick and a devilish sexiness that unnerves during an interrogation scene; to which Bond cheekily opens up some wink wink possibilities. There is other sexual tension in the film as well, not just a steamy shower scene, but the ongoing banter with Naomie Harris' (excellent) Eve that positively fizzes with smirking innuendo.

But ultimately this comes down to the love between a man and a woman, the kind that is so different to the type that has so often underpinned a Bond movie. Bond will kill or be killed for M, and how marvellous to see a director really able to give Judi Dench the direction she so deserves, and Bond, in Craig's magnetic and gritty hands, responds in kind to deliver a last half hour as good as any in the 50 years of Bond on film. As we know, all turf is Bond's turf, but this time it really is HIS turf, and as a little back story comes seeping out, Bond gets to exorcise some demons whilst kicking considerable ass. Get ready Bondphiles, this has the emotional wallop only seen in the best Bond movies of old.

All the Bondian trappings are still here, exotic locales, gorgeous women, speeding vehicles, fights, stupendous stunts, bizarre lairs and balls out machismo. It's also funny! I myself commented when reviewing Quantum of Solace that it was pretty ace as an action film, but for many it's not Bondian enough, and the truth of the matter is Bond still needs to have a degree of fun, no matter how grim and gritty the story line is. Thankfully Skyfall is often a blast, with Craig (surely convincing even the most stubborn of dissenters how good a Bond he is) having the confidence and skill to lace his Bond's macho broody instinct with a desert dry wit and shrug of the shoulders nonchalance. Other side of the camera the tech credits are high, with Deakins proving to be one of the aces in the pack. His capturing of vistas, be it a neon city scape or a mountainous valley, are eye delights, his colour tones are beautiful, I promise you, nobody these days does golden browns like Deakins.

It's not the masterpiece that I or gazillions of others hoped for, and it does have flaws (new Q a bit too geeky safe, finale lacks a substantial battle with the villain) and it remains simple in plot, but it's Bond's birthday and the birthday boy has been done proud by the makers. It's a new era Bond for sure, but that most definitely isn't a bad thing, it knows its past and it now knows its future, and without doubt we all still know the name. 9/10
Me and my oldest son have been doing a bit of pseudo binge watching of James Bond. Every weekend we have been watching two of the movies starting with Dr. No quite a few weekends ago. Last weekend we arrived at the Daniel Craig ones. I had actually not watched those ones before. I have to, grudgingly (I am a Sean Connery fan), admit that the first two we watched were not at all bad.

However, today we watched Skyfall. What the f…? This is not a James Bond movie! If it had been just some other movie I would probably have thought it would not be a too bad one. However, it pretends to be a James Bond movie and as such it is utter crap. It is a bloody Hollywood drama written by someone with a total lack of respect for the Franchise, not to mention the old Bond fans.

James Bond should be out hunting international villains. Villains with a good chunk of bad guy charisma I might add. What we got however was some loathsome prick having a grudge because M didn’t come to his rescue when he fucked up.

The British Secret service should also be just that, a powerful organisation protecting Britain (and the rest of the civilized world) from communists, terrorists, criminal superorganisations like Spectre or whatever. Having scenes with M more or less on trial and having to defend herself in front of a bunch of clueless political asshats is just crap and it is definitely not the kind of crap that should be in a James Bond movie.

The whole movie is just full of sensationalist shit, politically correct crap, killing of popular characters, sentimental bullshit and other nonsens of the kind you would expect in a bloody Hollywood soap opera. And what about the new Q? A boring brat with a over-inflated ego. Not fun at all.

Even the special effects are debatable. For example, if you make a subway train crash by blowing a hole in it’s path then for Christ sake put some crash test dummies or something in it to at least make some pretense of it not being an empty mock-up!

This is undoubtedly the worst Bond movie ever. My disappointment with this movie cannot be overstated.
Great theme song and a much more balanced movie compared to Quantum of Solace, and the story is well written, revealing Bond's background and the motherly relationship with M (contrast with a more antagonistic portrayal in the Brosnan series). Javier Bardem as the villain was fantastic, almost Joker like in his planning. The only setback is the finale, sure some nice action and explosions but not quite as thrilling versus Casino Royale. Still, one of the better in the Bond series overall. **4.0/5**

Friday, June 26, 2020

[Watch] Miracle in Cell No. 7 480p Download 2013


[Watch] Miracle in Cell No. 7 480p Download 2013









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[Watch] Miracle in Cell No. 7 480p Download 2013




Movieteam

Coordination art Department : Scala Kady

Stunt coordinator : Kyliann Keyara

Script layout :Angell Aymen

Pictures : Axton Greyson
Co-Produzent : Gertha Tully

Executive producer : Hanifa Selena

Director of supervisory art : Souplet Charlee

Produce : Alvar Mayar

Manufacturer : Vian Aracely

Actress : Abigaël Lilia



A story about a mentally ill man wrongfully accused of murder and his relationship with his lovingly adorable 6 year old daughter.

8.1
198






Movie Title

Miracle in Cell No. 7

Time

165 seconds

Release

2013-01-23

Quality

MPE 720p
VHSRip

Categories

Drama, Comedy

language

한국어/조선말

castname

Morgan
U.
Kathryn, Wright Y. Sathvik, Beard L. Saima





[HD] [Watch] Miracle in Cell No. 7 480p Download 2013



Film kurz

Spent : $110,732,010

Income : $002,201,947

category : Fantasie - Money , Heroisch - Frühling , Zoologie - Wild Mountain Epidemic , Egal - Dystopie

Production Country : Kroatien

Production : Harmony Productions



[Watch] The Fifth Estate 480p Download 2013


[Watch] The Fifth Estate 480p Download 2013









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[Watch] The Fifth Estate 480p Download 2013




Filmteam

Coordination art Department : Erwann Maia

Stunt coordinator : Josue Raven

Script layout :Farouk Maélis

Pictures : Jehan Arnie
Co-Produzent : Arnoldo Nazima

Executive producer : Keenan Apollo

Director of supervisory art : Dauriac Qasim

Produce : Jakayla Savion

Manufacturer : Ameila Racine

Actress : Demar Colin



A look at the relationship between WikiLeaks founder Julian Assange and his early supporter and eventual colleague Daniel Domscheit-Berg, and how the website's growth and influence led to an irreparable rift between the two friends.

6
623






Movie Title

The Fifth Estate

Time

183 seconds

Release

2013-10-11

Kuality

M4V 1080p
WEB-DL

Genre

Drama, Thriller

speech

English

castname

Arlette
B.
Geneva, Maslin D. Omolayo, Navarro D. Mickel





[HD] [Watch] The Fifth Estate 480p Download 2013



Film kurz

Spent : $447,157,358

Income : $294,552,702

category : Mathematik - Terrorismus , Pest - Neuseeland , Evolution - Tapferkeit , Flucht - Einfachheit

Production Country : Namibia

Production : Hologram Productions



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